Showing posts with label curriculum. Show all posts
Showing posts with label curriculum. Show all posts

Monday, 22 September 2014

Turkish Session Diary 12: Full circle

All the way back in July I posted about my first epiphany with WAYK where I broke the mould of session patterns and started with genuine role-playing games. After that point I started to achieve some genuine acquisition instead of merely giving my students some glorified mnemonics.

I dubbed that post "Songs and games" by way of analogy to repetitious session patterns (songs) and goal-based interaction (games). However it just so happened that last week we spontaneously came up with a real song, which we tentatively named Ode to a Pen. It seemed like a good way to cement in the mind some rather complicated syntax and suffixes (original Turkish in bold, gloss in italic, English translation in regular):

You can even sing along if you like:



Bu
bir
kalem.
This
a
pen.
This is a pen.

Bu
benim
kalem-im.
This
my
pen-my.
This is my pen.

Kalem-im-i
ban-a
ver.
Pen-my-[object]
me-to
give.
Give me my pen.

Bu
bir
kalem.
This
a
pen.
This is a pen.

Bu
onun
kalem-i.
This
his/her
pen-his/her.
This is his/her pen.

Kalem-i-ni
o-na
ver.
Pen-his/her-[object]
s/he-to
give.
Give him/her his/her pen.

Bu
bir
kalem.
This
a
pen.
This is a pen.

Bu
senin
kalem-in.
This
your
pen-your.
This is your pen.

Kalem-in-i
al!
Pen-your-[object]

take!
Take your pen!

Before a "performance" we would say "Person A is singing to Person B, and we're all singing with Person A", and then between each verse Person B would perform the action.

I think it did quite a bit of good because they tell me they were all practising at home, but it was still a song, a set repetition, a glorified mnemonic. So in the next session, after reviewing the song, we played a role-playing game. Once again we had come full circle: the real magic was in the role-play.

Goal-Oriented Setups

Ultimately I have concluded that a TQ Setup that only makes meaning (the "what") TQ Obvious is nowhere near as effective as one that has a defined purpose (the "why"). I see TQ Silly Conversation as a nod to this problem that only goes halfway to a solution. True, getting everybody used to having aimless conversations about the objects in front of them is a great stepping stone to hunting, but it's no substitute for an actual goal or purpose.

So in my opinion role-play, the "why", is fundamental to setups in their most effective form. Back in July I wrote about two role-playing setups, Liar and Boss/Employee/Shopkeeper, that really helped speed things up in terms of actual acquisition and actual fluency as opposed to familiarity with a script or a song. Most recently we've been playing Lost and Found: "I've just found a bunch of phones and wallets/purses and I want to return them to their rightful owners, but I'm a bit simple and I can't even recognise my own things!" etc.

But what about hunting?

Yeah, about that. Although I am convinced that a skilled, motivated hunter will acquire language quickly, I'm not sure that it's the be-all and end-all. When you're out to revitalise a language by galvanising a group of youngsters to tap grandma's brain, sure, hunting is vital. But in a formal language teaching setting, it's a very difficult skill to impart quickly enough to count within the few fleeting hours you have before the end of the course.

What I am doing, though, is implementing the technique which I think isolates the "active ingredient", as it were, of hunting as respects language acquisition: TQ Just in Time. This derives from the observation that "Information and ability is acquired most deeply and rapidly at the moment of its greatest relevance."

So here's my current how-to for lesson planning:

  1. Decide what vocabulary/grammar you want to cover, while of course observing TQ Limit.
  2. Devise a role-playing setup/scenario where the learners are bound to need said vocabulary/grammar.
  3. Explain the game in the students' native language.
  4. Make them try to say what they want to say in the target language, then correct them when they get it wrong.

I used this last time to teach "to put in the bag" (çantaya koymak). The game was Where To Put It? (on the table, on the tissue, or in the bag?) and it was amazing to see how they never even asked what it meant in English. They just attempted "Put the pen in the bag", I supplied them with the correct sentence, we went round the table practising it, and all four of them were fluent in that bitesize piece in the space of 10 minutes.

The great thing about this setup is it gives students scope to hunt as much or as little as they want. If you've done it properly they should "need" the language you want them to learn today anyway, but if they want to get creative within the context of the role-play, they can. It's just up to you to keep an eye on the TQ Limit and especially TQ Full.

In summary, I think I can see a way to codifying an effective WAYK-based curriculum for formal language teaching, oriented around role-playing setups. In other words, I feel like I've reached the crest of the learning curve. But it's going to be a long way down the hill...

Friday, 15 August 2014

On the art of hunting language

Pondering our first forays into language "pulling" or "hunting", as opposed to me just "pushing" the language onto the learners, it appears that getting the person you're hunting language from to understand what word you're looking for is something of an art. At least it's something you have to have a knack for. Although last week didn't really go badly, it didn't go as well as I'd hoped and I'm not sure if that was because it was a new concept and they were nervous, or if it isn't actually so intuitive after all.

If my learners continue to stall, how am I going to help them get the knack of language hunting? Could I come up with an approach that I could replicate for any other group of learners in the future?

I thought it might be useful to try and dissect what's going on when you're in the position of pulling language from a native speaker without any other common language. I remember the Advanced WAYK: Spanish Push/Pull video showcased a process of "Getting Hungry, Setting the Trap, Springing the Trap, Cooking It Up, Serving It Up" which must relate to this somewhat. Unfortunately I have yet to see a proper write-up.

Still, I have tried to identify the techniques (with a small "t") that I tend to use and I see others using when pulling language from a fluent speaker:

First: The Hunt

1. Use a Question Phrase
Question phrases that help you ask about specific words and expressions are probably what anyone should learn first when embarking on learning a new language "in the field".
What is that? (nouns)
How is that? What kind of __ is that? (adjectives)
What is it doing? What does it do? (verbs)
The following are universal:
How do we/should I say that?
Is that right?

2. Mime
Of course one has to assume that one's fluent speaker is not conversant with sign language, and will only understand obvious, not abstract, signs. Obvious Setups are also very important. This technique can be used in combination with incomplete sentences and question phrases.
Hunter: I say "boo" [acts out somebody trying to take someone else by surprise and frighten them] and he says "Aaa!" [switches to the other role]. What did I do?
Speaker: You... scared him?
Hunter: Yes! I scared him!
3. Draw a Blank (TQ)/Attempt the Sentence
This also requires an Setup to make the intended meaning Obvious. This works best when the Hunter has the rest of the sentence down pat.
Hunter: I give this money to you and you give this pen to me. You are ... [Draws a Blank with his hands] -ing this to me.
Speaker: Selling this to you?
Hunter: Yes! Selling this to me.
4. Break the concept down into simpler parts
This is like explaining complex concepts to a small child. In both situations, the concept must first be conveyed and then the word for that concept is provided. The difference is that with a child, the adult both conveys the concept and provides the word; in language hunting the learner conveys the concept so the fluent speaker will provide the word.
Hunter: Every four, five years everybody chooses who they want to be President.
Speaker: You mean an election?
Hunter: Yes, an election. During the election everybody writes down who they want to be President and puts this piece of paper in a box.
Speaker: Yes.
Hunter: What is this piece of paper?
Speaker: A vote?
Hunter: Yes! A vote.
Any or all of the above methods may be used to help the fluent speaker understand what we're trying to say, and then say it for us, helping us to "spot" what we are trying to hunt.

Next: The Chase

When hunting, it’s not enough to just spot your quarry. Now the chase is on! It’s the same with hunting language. Hopefully a combination of techniques will prompt our fluent speaker to give us the word we are looking for. But it’s not ours yet! We have to chase it down, in other words make sure we understand it correctly and know how to use it.
Hunter: Where is your house?
Speaker: It's in the city.
Hunter: How should I say this, "Where is your house?"
Speaker: "Where do you live?"
Spotted! Now the chase is on!

1. Prove it!
Hunter: OK, where do you live?
Speaker: I live in the city.
Hunter: OK, so your house is in the city?
Speaker: Yes.
Hunter: You are always in the city?
Speaker: Yes, I am always in the city.
2. Practise it (circling).
Hunter: Where does he live?
Speaker: He also lives in the city.
Hunter: Does he live near to you?
Speaker: No, he lives on the other side of the city.
Hunter: Where do I live?
Speaker: You live in the country.
Hunter: How long are you living in the city?
Speaker: "Have you lived".
Hunter: Ah OK. How long have you lived in the city?
Speaker: About 4 years. ...
So that's where I'm at so far. I look forward to any observations, especially if there's anything I've missed.

Perhaps I won't need to go through all this with my group. I expect the best method is probably just to tell them to Start at the Beginning and keep going until they get to something they don't know, and then let them work it out. Still, these notes may be useful for coaching as and when we get stuck. The more I think about it, the more I anticipate that "free hunts" will be the best way to go in the beginning, so they work as much of this out by themselves as possible, before then moving on to planned hunts.

In planned hunts, like Tea with Grandma, we will first establish our role-playing scenario, then discuss what language they can hunt from me using it. I hope this will make for a nice balance between systematically covering a syllabus and adapting the sessions to the needs and preferences of the learners.

Tuesday, 3 June 2014

Turkish Session Diary 3: Settling on session patterns

Well, 5 weeks in and my new bunch are still with me.

I've duplicated the Fethiye WAYK Turkish Curriculum on the official wiki over onto fethiyewayk.wikia.com. I won't be creating many new pages as I go forward, so I'll be able to update the official wiki now and again.

A lot of the material is now different after having undergone a number of tweaks. For now I'm just going to go through the pattern I've established that seems to be working well and update the material as I find the time.

When starting, I labour the concept of TQ Copycatting. It very quickly becomes necessary to point out that only people who aren't in the conversation copycat. So when you're the one being asked a question you don't copycat the person asking the question.

TQ How Fascinating is a toughie. Saying, "When we make a mistake we all throw up our arms and say 'How Fascinating'", is a bit counterproductive with retiree Brits. But I still think I'm honouring the spirit by calling "How Fascinating" all the time without calling it that. Lots of TQ Pull You Though It, lots of "No, that was fine!" and lots of laughs, backed up with a pep talk now and then that we're playing a game and having fun, not "learning" or sitting an exam. In the sense of keeping it light and fun, How Fascinating is certainly up there with TQ Signing as one of the absolutely indispensable concepts of the method.

Getting them to avoid speaking English during the lesson is next to impossible sometimes. "Oh what was it, bu, er, siyat kalem, oh no, sorry, siyah kalem, yeah see I keep getting that wrong, was that right, siyah kalem?" etc. Now and again I remind them to make the "timeout" sign if they want to ask something in English, and then just make the sign sometimes when they forget. But I find it's not worth making a big thing of it if it will break the mood, especially when you've barely got them to stop thinking of it as a lesson.

I've also gotten my head around the fact that TQ Killing Faeries is of course good and necessary, but this does not extend to explaining game mechanics. The difference between "I'm going to say what is this, and you're going to say 'It's a...'" and "We're going to say it twice this time round."

Now to the pattern

For each bitesize chunk, I'm following this procedure:

1. Select chunk Although a "Ride" in the Universal Speed Curriculum can be around a dozen lines long, I've discovered the hard way that the ideal size for a bitesize chunk is 4 lines, you-me-you-me. Anything longer is just too much, no matter how familiar the material.

So the ideal chunk is 4 lines long, containing mostly familiar material and focusing on just one new "thing" (TQ Limit). So, for instance, if they already know "What is this?/This is a black pen." (Bu ne?/Bu siyah kalem.) then I might introduce "Whose is this black pen?/This black pen is mine." (Bu siyah kalem kimin?/Bu siyah kalem benim.) OK so that's two new things but you get the idea.

2. Demonstrate I then use mostly TQ Invisible Friend to demonstrate each side of the conversation (ideally TQ Comedy Duo with my strongest student if I'm sure she'll know what to do), of course observing TQ In Threes and getting them to copycat. I will often interrupt to use TQ Sing-along Song for individual sentences or even words I can see them having trouble with. If they still haven't got it after the third demonstration I keep going until they're close enough (TQ Mumble).

3. Play I then start with the student who's next to me, or at least make sure it goes round so that the weakest student does it last. In the first round I repeat the conversation with her three times, and then signal that she should hold the same conversation with the person next to her. After it gets back round to me, we go around again but this time twice each. In the third round we just do the conversation once before moving on, and by this stage they've usually got it straight off the bat.

Then I move on to the next chunk, mixing and matching from material in the ride to get something with just one or two new things. Especially if the "new thing" from the previous chunk was a grammatical concept, I find it's good to cycle through the objects thus repeating that new concept four times until it sticks. This is especially important for suffixes.

I think next time I'm going to introduce a "free practice round", just have a round of asking anyone anything about what they have based on this week's material...

So that's where we're at so far.

Sunday, 16 March 2014

Fethiye WAYK begins in English

Our Turkish sessions have taken somewhat of a break through a mixture of cancellations and illness. But the English side of things, run mostly by my wife Gözde, is going from strength to strength, already halfway through the USC with two separate groups. Hopefully we'll have some video for you soon.

We're talking about how to move further beyond the USC. With tourism/service industries the big thing around here, most likely our vocabulary and set-ups will expand in that general direction as we build up the grammar.

Below is a translation of Gözde's first post on the blog, reflecting her impressions:
After researching WAYK for some time with my husband, I started to believe that WAYK could be effective in light of points that overlap with principles of language acquisition that we are taught as English teachers. I talked about the method with some adult students who wanted to learn English and so we decided to give it a try. Although there is a business side to it, this is a secondary consideration in our experimental group project.

Our first English lessons

One of my first points of hesitation with WAYK, which we had actually seen in the case of foreigners learning Turkish, was the possibility of adult groups not being enthusiastic about using sign language. But right from the first lesson there was no hesitation, even by shy students. Our first lesson followed the Universal Speed Curriculum. At the end of the lesson they were conversing without the signs, even one of them who we could say was encountering English for the first time.

The strongest aspect of WAYK that I have observed is that it keeps students' motivation at a high level. At this point I can identify two reasons: the game aspect for children, and for adults the fact that they can speak English from the first lesson.

As for developing the curriculum, at the moment I have only used sign language with the beginners' classes but I have used WAYK principles with a 10th grade student and found it to be useful in getting her to use grammar she learnt at school. My husband has also used WAYK with an 11th grade student to great effect.

WAYK's edge

Although the sign language makes WAYK different to classic techniques, this is not the basis of WAYK. Essentially, we find in WAYK the ideal language teaching methods taught in education faculties, in particular teaching without using the student's mother tongue, creating set-ups, and using lots of repetition.

The biggest difference between WAYK and classic methods is that there are no explanations of grammar, just as when children learn language. Logically there is no need to explain something again when the brain has already learnt it, only prospective English teachers really need to know this. Those who only wish to speak English do not need to know what a structure or rule is called.

Many teachers will have observed the gap between what we are taught in university and what we are able to apply in a class environment. From this perspective we can say that WAYK is a package programme that enables us to apply ideal teaching methods.

These are my impressions so far, I will write more after upcoming lessons...

Saturday, 15 March 2014

WAYK'la yola çıkıyoruz

WAYK'ı eşimle birlikte bir süre inceledikten sonra, bir İngilizce öğretmeni olarak dil edinimi derslerinde öğrendiğimiz ilkelerle örtüşen noktalarından yola çıkarak WAYK'ın etkili olabileceğine inanmaya başladım. İngilizce öğrenmeye istekli bazı yetişkin öğrencilerle yöntem üzerinde konuştum ve denemeye karar verdik. Her ne kadar işin ticari bir boyutu olsa da bu kısmı ikinci plana atarak deneysel grup çalışmaları yapmaya başladık.

İlk İngilizce derslerimiz

WAYK'la ilgili ilk tereddütlerimden biri -ki bunu Türkçe öğrenen yabancı öğrencilerle yaşamıştık- yetişkin grupların işaret dili kullanmak konusunda isteksiz olabilecekleriydi. Ancak ilk derste bile öğrenciler içinde çekingen yapıda olanlar bile bu konuda tereddüt etmedi. Universal Speed Curriculum'ı takip ederek birinci dersi yaptık. Dersin sonunda öğrenciler -ki biri İngilizceyle ilk kez tanışıyordu diyebiliriz- işaretleri yapmadan sohbet edebiliyorlardı.

WAYK'ın gözlemlediğim en güçlü özelliği öğrencilerin motivasyonunu daima yüksek tutuyor olması. Şu aşamada bunun iki sebebini belirtebilirim: çocuklar için bunun bir oyun olması; yetişkinler için de daha ilk dersten İngilizce konuşuyor olmaları.

Müfredat gelişimi açısından şu ana dek sadece başlangıç sınıflarıyla işaret dilini denedim ama 10. sınıf düzeyinde bir öğrenciyle konuşma dersi yaparken WAYK ilkelerini kullandım ve okulda gördüğü grameri pratik olarak da kullanmasında yararı olduğunu gördüm. Eşim de 11. sınıf düzeyinde bir öğrenciyle WAYK'ı kullanarak gayet başarılı oldu.

WAYK'ın esprisi

WAYK'ın klasik yöntemlerden farklı bir yönü işaret dili olsa da WAYK bundan ibaret değil. Esasında eğitim fakültelerindeki ideal dil öğretim yöntemlerini WAYK'ta buluyoruz. Özellikle de öğrencinin ana dilini kullanmadan, "set-up" yaratarak, bol bol tekrar yaptırarak öğretmek bunlardan bazıları.

WAYK'ın klasik yöntemden en büyük farkı, çocukken dil öğrenirken olduğu gibi gramer açıklamasına girilmemesi. Beynin zaten öğrendiği bir şeyi tekrar açıklamaya da gerek yok mantıken, sadece İngilizce öğretmeni adaylarının bunu bilmesi yeterli, İngilizce konuşacak olanların kullandıkları yapının adını ya da kuralı bilmesine gerek yok.

Pek çok öğretmen gözlemlemiştir, okulda öğrendiklerimizle sınıf ortamında uygulayabildiklerimiz farklıdır. Bu açıdan, WAYK ideal öğretim yöntemlerini uygulamamıza yardım eden bir paket program diyebiliriz.

Şu an izlenimlerim böyle, önümüzdeki derslerden izlenimlerimi de aktarmaya devam edeceğim...

Saturday, 15 February 2014

Fethiye WAYK Curriculum takes shape

I am proud to announce that the infrastructure of the Fethiye WAYK Turkish Curriculum over on the wiki is complete and ready for expansion.


At the moment only the first three parts of Ride 1 are complete, but the point is, they are complete. From now on the underlying structure is ready to be expanded with the material as we add it.

So, how would you like a tour?

Rides

Everything, of course, revolves around the "Ride" pages. Ride pages first specify the Set-up used throughout the ride, and then at the beginning of each Part, the new Craig's Lists (CL) and Fairies' Lists (FL) introduced are listed with clickable links to each CL and FL. Next to each of these CL and FL links is a list of the specific vocabulary and grammar elements that are used from them. Each element is also clickable, and links to that element's entry in the Vocabulary or Grammar Master List.  

Then the Ride details the Conversation that the group is to work towards. Conversation Links are small chunks of dialogue, to be strung together into Conversation Chains. Conversation Chains are there as a suggestion for teachers, helping them to systematically mix and match the Links in a logical progression as the game proceeds.

Set-ups

While the table-and-objects set-up will suffice for much of the course, as we progress there may be a need for more imaginative "set-ups" which will still be as "obvious" and uncluttered as possible, but will expand the game. "The Walk" is one; as we get to more advanced stages, our scenarios may come to resemble amateur dramatics as much a games. Unleash your imagination!

Craig's Lists and Fairies' Lists

Craig's Lists (CL) are small, logical groups of vocabulary. These may be put together because they are introduced together in the same session, or they may represent a category of words that are added to as the course progresses. 

The original idea behind Craig's Lists was that a list of words may be repeated together during a session, almost like a song or mantra, to fix them in the brain as a memorable sequence, rather like the ABC song children sing in English. This may not work for all the Craig's Lists in our curriculum, because they now also perform an additional role: Ensuring that all the vocabulary in the Vocabulary Master List is covered. Every single word in the Vocabulary Master List is to be organised into categories and worked into Rides via Craig's Lists.

Fairies' Lists (FL) are the sister of Craig's Lists, but for grammar. In the same way as every entry in the Vocabulary Master List is to be worked into a Craig's List, so too all elements in the Grammar Master List are to be worked into Fairies' Lists. The main difference between a Fairies' List and a Craig's List is that a Fairies' List is never to be explicitly introduced or repeated during a lesson, quite the opposite: The Set-up is to be so carefully crafted that the elements on the Fairies' List simply "click" in the minds of the students automatically, almost as if fairies did it!

Vocabulary and Grammar Master Lists

These are essentially databases of vocabulary and grammar elements that occur in the curriculum. The order in which entries are added does not matter, because they are organised in the Craig's and Fairies' Lists. What matters is that each entry is recorded, and that each occurs only once. The same element may, on the other hand, appear in more than one Craig's or Fairies' List.

The Vocabulary Master List in particular will also serve as a dictionary, making it theoretically possible for a group with no native Turkish speaker to use the curriculum out-of-the-box; one of the group could study and master all the elements of a Ride beforehand, and share them with the group in a WAYK session.

Coming Soon: 
  • Sign language demos Links in the Master Lists to specific points in Youtube videos where hand signs are demonstrated.
  • Ride Chains Groupings of rides into a "big picture", gradually taking the group to fluency.


Wednesday, 12 February 2014

Teaching vs. hunting: A draft manifesto

After sleeping on it, the Advanced Spanish Hunting video has helped me refine my thoughts about exactly what I'm doing (or trying to do) in adapting "Where Are Your Keys?"a comprehensive method in which students become teachers in the noble cause of language revitalisationto more mundane, mainstream, marketable language teaching.

What We're Taking Away

In the Spanish hunting video, Evan and David explain how they simultaneously hunt new language from each other for their own benefit and build new rides. The ride building process is explained as Getting Hungry, Setting the Trap, Springing the Trap, Cooking It and Serving It Up. As always, I wish there were more documentation, and I can't claim to fully understand what all these stages mean. Still, the general idea is quite clear. As far as I can tell Getting Hungry is the bit where you work out what you're going to learn next, the rest of the stages help you to glean, confirm and internalise that element through Proving and other techniques, and finally Serving it Up is where you have a formalised Ride that can be passed on.

Turning WAYK into a standardised course package will have the side-effect of sucking all the creativity out of the process for my students. I will simply be Serving It Up, and doing the rest behind the scenes as I develop the course week by week. Of course the Rides themselves will still work, but come the end of my course my students will be no more "language hunters" than they were when I first asked them "What is that?"

On a personal note, it has just dawned on my wife and me that the hunting dimension of WAYK will be ideal if and when we decide to try and learn minority languages such as Kurdish, where decent course books are hard to come by. But this is of little interest to a student who needs one language now and is selecting a course for that immediate purpose.

What We're Adding

First and foremost, by successfully applying WAYK—a lesser version of WAYK at that—to build a course that teaches the same amount of language as its rivals faster and more accurately, there will be tangible, documented evidence that WAYK really is as good as it claims to be. Instead of being a little-known, quirky, experimental pretender to the crown of dominant methods in the eyes of the few in the mainstream who have heard of it, WAYK will tower over its rivals as not only better than the competition, but having a vision extending beyond short-term language tutoring.

In addition, despite being "shallower" than the original WAYK because of neglecting the hunting element, the course will be "broader" because it will weave in standard vocabulary at each level as part of a self-contained, marketable package. Open-source documentation will provide a template for teachers in other languages to develop their own courses.

I have written a lot about my worries about taking WAYK and offering lessons with the promise of a comprehensive language course, when said course is still in development and is being documented for the first time. This is why I feel the need for a clear vision starting out. This is a "draft manifesto", it simply reflects my current understanding of how this is going to work, and I'm putting this down to keep my own doubts at bay as much as for anyone else.

Tuesday, 11 February 2014

Turkish USC

So, a couple more links are finished on the chain on the wiki, simultaneously laying the groundwork for the Fethiye WAYK Turkish Curriculum while also making a start on entering our first Ride, which is our version of the Universal Speed Curriculum.

I have worked out a format that I hope any teacher will be able to use "out of the box" as it were. It starts by declaring the Set-up (which I am also going to index), and the Craig's Lists and Fairies' Lists used. You'll notice that each item in the list links to its entry in the Vocabulary Master List.

Then the Conversation is broken down into "links" which are then put back together again in the form of "chains". I was finding that I had to stop and think about which bits we would do next in mid-session, so the Conversation Chains are to save me that hassle.

More of the USC has been playtested than I have entered; we finished Part 2 just this weekend with our students. We have the rest planned, but I want to playtest it and then enter it onto the wiki. If there's a need I will also release it in PDF format.

Thursday, 6 February 2014

Curriculum page created

OK, so I've created a "Fethiye WAYK Turkish Curriculum" page over on the official WAYK wiki, which the administrator was kind enough to give me access too. Little did he know...

Once I've got my head back round about how wikis work I'm going to be structuring the information as follows:
  • Vocabulary Master List (V)
  • Craig's Lists (CL)
  • Grammar Master List (G)
  • Fairies' Lists (FL)
  • Rides (R)
  • Ride Chains (RC)
  • Ride Map (RM)
  • Set-ups (S)
This is going to be quite detailed, so you can skip to the bottom line if you like.

I'm going to be basing the Vocabulary Master List on the list of 1,200 most commonly used words in Turkish, to which I will add any other words that we use that aren't on it. This is the only thing that will be anywhere near finished as we start. Each entry will refer to videos of the signs that we will use. To make things simple, I'm going to take videos of myself or Gözde signing several words together, and then the links will be to the point in the video where that word is being signed. The Vocabulary Master List will be a single wiki page, likely a table.

The Grammar Master List will include not only particles, suffixes, and so on, but also "concepts" and specific sentence constructions, basically any "new" element that the setup will be designed to help "click" in players' minds. 

Now with Craig's Lists... I know that I'm deviating slightly from orthodoxy here, but I want to take Craig's Lists beyond a memory/repetition tool that you use only for some words, and even then only when needed to jog the memory, and use this concept to organise and categorise the entire Vocabulary. These CLs will still be designed such that they could be used in-session (actually, I think they may work well for refreshers), but this will be up to the teacher. Much of the time they will simply be words that are introduced and/or used together and/or in the same context, put together in a group that's easier to categorise and track. Each Craig's List will be a separate wiki page, likely a table.

Fairies' Lists are basically Craig's Lists, just applied to the Grammar Master List. Of course, at no point in the session will we be reviewing lists of suffixes. Again, this will be a device more geared to helping us teachers develop sessions.

Rides will each be individual pages, almost like recipes, listing the a Set-up and a Script together with the Craig's Lists and Fairies' Lists used. Ride Chains will be still other pages listing sequences of interconnected Rides. The Ride Map will be a single page organising all Ride Chains into a network that will enable teachers to see the big picture and follow students' progress. Teachers will be able to pick and choose Rides and Ride Chains for each session depending on the class. 

The Set-ups used in Rides will also be documented and tracked on separate pages. I anticipate that coming up with new, TQ Obvious Set-ups will be the toughest challenge we face, especially as we progress to more complex grammar and extended vocabulary.

All of the above elements will have a reference code. Each word will be "V 123" or some such, Craig's Lists will be "CL 1", "CL 2" and so on, with each entry in the list given a number, "1.1, 1.2" etc. The same sort of thing will go for Rides and Ride Chains; variants of Set-ups will also be numbered in this way. This will mean that the Vocabulary Master List, say, will have links after each word to each Craig's List and Ride it appears in. Everything will be cross-referenced as much possible.

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The bottom line: Apart from the Vocabulary Master List and maybe some of the Grammar Master List, everything else will be built up week by week as we go along. Once we've finished, we will have a well-rounded package so we can go up to anyone and say "I can get you from nothing to intermediate in [however many weeks]." Other teachers will be able to simply use the Rides, Craig's Lists and Ride Map out-of-the-box to plan sessions, while using the Vocabulary Master List as a dictionary, particularly to learn the signs. The rest of the behind-the-scenes infrastructure will serve as a template to fellow WAYK practitioners in adapting it to their own languages. Particularly in the area of Set-ups will we be able to swap ideas.

This has been good to get my ideas down in writing, so now I'm going to go off and develop some of it so there's something to look at. Meanwhile, any thoughts, suggestions, corrections and reactions will be most welcome.